Especially because it shows almost no focus breathing. And this leads us to consider that maybe the lens is more suited to video rather than stills. And the focus ring is geared for great precision, but this produces very slow focusing. It’s not as punchy or contrasty as the best lenses, but it’s sharp and lacks color fringing. The optics, with two Extra-Low Dispersion elements (out of nine in total), produce images that justify its price. Here, the simplicity of a prime lens comes as a benefit. But there’s no denying the quality of materials.Īnd then there’s the image quality. You might be skeptical about a lens this cheap, and some users have reported some subpar quality control. But it has a quality feel to it that justifies its price tag. First of all, it’s a step back in time to an era when lens bodies were made of metal with engraved markings. The name might not be familiar to you, but this Chinese lens has been winning over some fans. It has its issues, but don’t write off the Tokina SZX 400mm f/8 Reflex MF Lens for Canon EF.Īnother lens that offers an exceptional price is the Mitakon Zhongyi Creator 135mm f/2.5. It will be useful where you can pre-focus on your target-perhaps a bird’s nest or badger’s sett. But like I said, for a budget price, it might meet your needs. There are some inherent problems with reflex lenses, and this Tokina is no exception. I wouldn’t recommend it for sports photography unless you have the skills of a 1970s sports photographer and can focus manually at speed. That said, it’s probably the cheapest way of getting a new lens that will get you that close to your subject.
#USING A FULL FRAME LENS ON APS C MANUAL#
On the downside, it is manual focus only and has a fixed f/8 aperture. And because of its reflex design, it’s not physically long. It’s amazingly cheap, and at 400mm, it’s a long lens. The Tokina SZX 400mm f/8 Reflex MF Lens for Canon EF is perhaps the definition of a budget telephoto lens. If you have a Canon EF-mount camera, it’s hard to think of a reason not to buy the Canon EF 70-300mm f/4-5.6 IS II USM Zoom Lens. There are switches for IS and AF and a mode button to change the LCD display. Unlike Canon’s more expensive lenses, the lens grows longer as you zoom in. Or you can switch modes to show focal length or camera shake. This shows the focus distance and depth of field. And it’s more like a modern mirrorless lens with an LCD display on top of the barrel. There is a manual focus ring on the front of the barrel if you want it. The autofocus has been described as astonishing. But nonetheless, this zoom lens is a gem. Of course, you get a better build with the pro-level L-series lens. It is only one stop slower at 300mm than Canon’s L-series 70-200mm beast.
#USING A FULL FRAME LENS ON APS C FULL#
The Mark II is even better and hard to beat if you have an EF full frame or APS-C body. And I took some of my favorite travel pictures with it. And I loved it! For a budget lens, it was fast and crisp. I used to have the Mark I version of the Canon EF 70-300mm f/4-5.6 IS II USM Zoom Lens. But in a budget lens, there will always be compromises. Its one drawback is the relatively slow speed. It will provide you with impressive reach and superb imaging. The Canon RF-S 55-210mm F5-7.1 IS STM is a super way to enhance your mirrorless Canon camera setup. And it will cover most shooting scenarios. A kit containing an APS-C body, standard zoom lens, and this lens is extremely light and easy to carry.
It is surprising, given its reach, that it fits neatly in the palm of your hand. Again this RF-S lens emphasizes this aspect of the mirrorless world. The striking thing about mirrorless cameras is often how compact and light they are. It is also nearly silent, thanks to the STM motor. There are two Ultra-Low Dispersion elements in the lens, which help prevent flare and ghosts. On more expensive Canon RF-Mount cameras, the in-body stabilization will further compensate for this. It’s good enough for many sports as well as wildlife photography. The maximum telephoto focal length of 336mm full frame equivalent is impressive. But the lens boasts up to 4.5 stops of image stabilization, which will help compensate for this. The budget nature of the lens shows itself in the rather slow maximum aperture. It is perfectly suited to the popular APS-C body.
The Canon RF-S 55-210mm F5-7.1 IS STM is the perfect addition to the kit lens that comes with the popular Canon EOS R100 mirrorless camera. If you buy a product through one of our referral links we will earn a commission (without costing you anything).
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